MiM quiz – Explorer level / Education
Remember, this quiz is not about testing your knowledge about contemporary music. It's all about getting to know the four composers - their music, techniques, but also inspirations and private stories. We invite you to take on this challenge - discover the universe of four personalities and dive in into their music.
To which one of the four composers can the following quotes be attributed:
Not all of the quotations can be found on the MiM website, but the personalities and interests of the Composers clearly suggest the right answers.
Answer: Pierre Boulez
Not all of the quotations can be found on the MiM website, but the personalities and interests of the Composers clearly suggest the right answers.
Answer: Louis Andriessen
Not all of the quotations can be found on the MiM website, but the personalities and interests of the Composers clearly suggest the right answers
Answer: Kazimierz Serocki
Not all of the quotations can be found on the MiM website, but the personalities and interests of the Composers clearly suggest the right answers.
Answer: Arvo Pärt
Chamber music - which of the four composers wrote this musical piece?
Listen to the short exceprt and recognise the composer.
The example comes from Louis Andriessen Zilver.
The example comes from Kazimierz Serocki Swinging Music.
The example comes from Arvo Pärt – Es sang vor langen Jahren.
The example comes from Pierre Boulez – Le marteau sans maître.
Which composers visited the International Summer Course for New Music in Darmstadt?
Since 1946 the International Summer Course for New Music in Darmstadt has been the most important meeting place for composers interested in new phenomena in music. For two of the Four Composers the Darmstadt course was an important place in their artistic biographies, for the remaining two – not at all. Which composers visited the course?
In 1958 Musica concertante (1958) by Kazimierz Serocki was the first ever piece by a Polish composer to be premiered during the Internationale Ferienkurse für Neue Musik in Darmstadt. In the 1950s PB, Karlheinz Stockhausen and Luigi Nono were considered to be leading young avant-garde composers, for whom the Summer Course in Darmstadt remained for a while the most important forum for presenting their own music and concepts.
Vocal music - who composed this musical piece?
Listen to the short excerpt and recognize the composer.
The example comes from Pierre Boulez – Pli selon pli.
The example comes from Louis Andriessen La passione.
The example comes from Arvo Pärt – Kanon pokajanen.
The example comes from Kazimierz Serocki Poesies.
The four composers not only composed songs. To a smaller or bigger extent they also tried to influence the shape of the musical life in their countries and globally. To whom do the following statements refer?
Among Pierre Boulez's most important achievements are not only the artistic ones but also the creation of IRCAM, Ensemble Intercontemporain as a model of a new music ensemble and concert halls adapted to unconventional music performances, which he designed together with the architect Frank Gehry.
In the 60's and 70's Louis Andriessen, together with other artists, used to attack what he regarded as bourgeois and outdated forms of concert life, which he wanted to replace by the modes much better adapted to the needs of the modern society.
Hollywood but also indie directors like to use the magical music of Arvo Pärt to soundtrack their films. But he has not made any significant efforts towards influencing music life through creation or being part of institutions
Kazimierz Serocki was one of the founding fathers of the International Festival of Contemporary Music in Warsaw, referred to as “Warsaw Autumn”,
Read more about the "Warsaw Autumn Festival".
Orchestral music - who composed this musical piece?
Listen to the short excerpt and recognize the composer.
Instrumental color scheme also plays a major role in Pli selon pli composed by Pierre Boulez, but this piece sounds quite different from Serocki’s music. Boulez saw the precise pitch as equally important as harmony arrangements.
In Ad libitum the nature of the music resembles that of colour fantasia, like in many of Krzysztof Serocki’s works.
A vivid, though by no means simple rhythm, sound of the orchestra favouring the brass rather than the strings suggest Louis Andriessen – the example is taken from his Mysterien.
Consonant chords, melody and harmony bringing to mind Renaissance music in Arvo Pärt’s 3. Symphony are characteristics of many of his works.
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